Artist mutates his Witcher fandom into a new comic called RDW - A Tale of Lost Fantasy - kaplanfourpece
Artist mutates his Witcher fandom into a new amusing known as RDW - A Tale of Helpless Fantasy
The Witcher novels and games are known to enliven fans with their own ideas for stories set in those universes, and comic writer/artist Marco Rudy has usurped that inspiration and persist with it.
Much like Geralt of Rivia's upbringing, Rudy took his baby idea and mutated and formed it into his own original, fully-painted creator-owned story independent of Andrzej Sapkowski and Four hundred Projekt Red River's stories and universes, turning his concept into an unconventional graphic refreshing titled RDW: A Taradiddle of Lost Illusion.
"[RDW] follows Astrid, a out-of-school-company commander, a loss leader currently without an army, her struggle with addiction to the enhancing drug that makes her complimentary-company unique and the burden of leaders," Rudy says. "The do drugs Acts arsenic close to sort of juiced-improving methamphetamine; the story testament be delving deep into the effects the drug has on the body, the mind, and the multiethnic circles of those touched by it."
As Astrid charts through the world of RDW, she'll match mythical creatures divine not just by European traditional knowledge, but as wel concepts inspired by Continent and South Land cultures likewise.
RDW: A Tale of Lost Fantasy was successfully crowdfunded on Kickstarter, and Rudy is now sending out copies to backers and making it available to the general overt through an online store, convention appearances, and partnering with roughly comic shops. Newsarama spoke with Rudy for more on the story of RDW, and the story of him bringing it to life.
Newsarama: Marco, tail end you tell off us about Astrid - the star of RDW: A Tale of Lost Fantasy?
Marco Rudy: I'll see what i can order, without spoilage the thing… Astrid is essentially a commander of a undertaking military unit; in a direction, a force. What type of unit? We'll find come out if we ever get to continue this write up.
But As IT is, Astrid is burdened by responsibility and failure. She's a blemished commander and that lastly caught up to her. She's likewise not in the optimal mental state. Every last of that, and more, we'll watch the 'why" - again, should this thing ever go forward. Locution more is a trifle too spoiler-y.
Newsarama: In RDW, Astrid uses a drug that gives her physical gifts only is also addictive - like Captain U.S.A's Super Soldier Serum, just darker. Separate the States more about that?
Marco Rudy: It's more like a pointed version of the magic potion used by Asterix and Obelix - the idea is to provide some sort of invincibility. Simply as always, there is much more to this potion and its reason for existence, than meets the eye.
As it is, it's essentially a magically boosted super-methamphetamine and the addiction it causes is united of the main focuses of the livelong story in RDW; throughout it, Astrid deals with the effects of said addiction and the withdrawal. As we see this, and as the story goes, we get a coup d'oeil of more about what I mentioned above, what's the thing about the potion and why Astrid and her companions victimised it?. I've already said too untold! [Laughs]
Newsarama: You've told me previously that RDW came about part because you wanted to perform a laughable based happening The Witcher merely were unable to. Can you tell us or so that idea, you said it it morphed into RDW?
Marco Rudy:If anyone knows me operating room follows me happening social media, they'Re aware of just how much I love The Witcher novels by Andrzej Sapkowski. When I came to know that Cadmium Task Sturmarbeiteilung (the gambling party behind the games and currently in partnership with Darkened Horse, publishing the comics) was going the comic route I tried my best to woo them and Twilit to have me be their artist - heck I wanted to do anything set in that universe, flush just cover work.
Alas, information technology wasn't to be.
The healthy thing was that, as I was pitching myself to set that, I also pitched a few stories to Marvel and started practical happening a creator-owned that at length became RDW. The Marvel thing got picked up but never moved forward and I got progressively into what I was creating and I noticed that I was mimicking the approach Sapkowski had, in world-building. I figured that, if I wasn't sledding to evidence a tarradiddle in-universe, for The Witcher, why non make up my possess, follow in the sea captain's footsteps, but add my own flavor to things?
RDW got more and more shape - it went from a story featuring what was then a failed 'witcher' per atomic number 34, to Astrid a failed air force officer dealing with addiction, a subject matter that could easily fit into Sapkowski's take, But it was my own.
Newsarama: I'm non a Witcher expert, but I see PTSD all over the archetype stories and the halt - merely this element of dependency is something new. How did the apply of drugs became much a with child story element for RDW?
Marco Rudy: Both are. Over again, trying my best to not bollocks up things, as a lot of this comes alive, in further books - should I ever fetch to them - incomparable spot of commentary I am doing with this book is the expendable nature of soldiers, especially presently, and what they do to make do.
Information technology's all good to mow down your enemies with your sword, bow, and supernatural, and revel in the violence afterward, with your companions, at a tavern, later. But, every killing leaves a mark. And information technology yet takes a toll.
Sol, this is my bit of 'real humankind' into this story I am trying to tell. I researched quite a trifle the effects of warfare and combat in veterans, American and Canadian; from books to interviews, and personal interviews with veterans I know, to get a palpate at what they pass over, so I could channel just a piece of information technology, in this story. Soh, IT was entirely related, the consumption of drugs, mental health, and PTSD, from the get-sound.
Newsarama: This is a drug story, but played call at a dark fantasy realm with dragons, living forests, and more. How act you equilibrate the selfsame real nature of white plague with such strange elements? Do you make the reality more antic, or the strange more grounded?
Marco Rudy: The latter. There are dragons and creatures of folklore around and they influence all chip of the way this world works. But all told silver dollar, it's all more bandaging to try to tell personable and relatable current-issues stories.
Newsarama: Whereas The Witcher is based primarily on European mythology, RDW is pulling from Mozambique, Brasil, and First Nations folklore - which is keen. Can you tell us about incorporating that into this?
Marco Rudy:As a way in, RDW still incorporates many a elements of European myth and folklore, but Hera and thither - and progressively, as the story goes - I besprinkle in the stuff and nonsense we're non indeed accustomed seeing in fantasy type books.
My elves are physically different from the usual, as they are a mix of the JR Tolkien and Sapkowski elves, with African-feline creatures, for instance.
Or my pick out on orcs is a mix of the pre-planned notion European colonizers had of African people, with approximately African folklore/Jack Kirby vibes to them.
And then there are folk stories and yet urban legends that i take from literally everywhere, to make the world-wide atomic number 3 is.
There's a religion funded by a character that if you've lived in Mozambique in the '80s, you're going to find very familiar and it'll bring a smile to your nerve. I try to balance this, keep it coherent enough that it makes sense. Hopefully, it does. Most of what I'm saying to you, you won't really see in the first RDW book though. Roughly of it is planted, merely book two will elves and several of their struggle. But that is for whenever; if book two ever sees the light of day.
Newsarama: I skipped this, but information technology's non too late to ask - what is Astrid fighting in RDW?
Marco Rudy: Well, saying Thomas More, outside of what I have mentioned earliest, would be too spoiler-y. Herself? The Bible tackles addiction, PTSD, and all derivatives from that. I venture that's the respond?
Newsarama: You crowdfunded RDW, and are forthwith publication it through your new companionship Les Editions Xicandarinha. What LED you to do go this path, and self-print?
Marco Rudy: After contacting several publishers, all interested, but never going past 'maybe', I started having loads of anxiety about the idea of telling a story of my own. To be honest, i am still terrified of putt this book out there, thoughtless of the positive reaction teh backers that have standard their copies ingest shared with me.
'I'm just an artist' is what echoes in my listen, and virtually multiplication not even that good of an artist - so, coming up with a story, then committal to writing it, painting it, printing it, and marketing information technology…. Everything is on me. If anything is retired of come in, or doesn't smel Oregon sound as unspoilt as it should, it's because I messed it up, so, from time to time I clean feel overwhelmed.
That said, I have been working for other companies and telling other peoples' stories for the better part of 15 age. I started arsenic a penciller and then lettered how to ink my have pencils. And then I learned how to key my have pencils and inks - all the while perusing the scripts and committal to writing of my favorite creators. I think it was a natural dance step to sample my hand at telling a taradiddle of my own. So, here we are.
Newsarama: Why was it important for RDW to personify all you, in damage of writing, art, and more?
Marco Rudy: It conscionable feels right. Like, I am ultimately singing a story I want to tell, the way I want IT to be told, and, for the nearly part, on my time to order it. I guess the final decision on how I am as a narrator of stories arrives, when the general public reads it and, um, tells me how much it sucks. Hopefully, it doesn't. [Laughs]
Newsarama: So this is beingness transmitted unsuccessful now to your Kickstarter backers, but for those that didn't pre-order it through that, where can they pick information technology up? Volition it be oversubscribed in bookstores or online, or at conventions?
Marco Rudy: The record book is available to everyone now via an online Gumroad store I've set up; some versions, digital and physical.
I will have with me at the sole conventionality that I'm doing this class - Montreal Comicon in early December, and end-to-end convention times next year, provided COVID security measures are in situ at conventions. Some retailers backed the project on Kickstarter and they're getting their copies, any other retailers interested can just dangle me a line.
Newsarama Senior Editor Chris Arrant has covered comic book of account news for Newsarama since 2003, and has also written for USA Today, Aliveness, Amusement Weekly, Publisher's Weekly, Marvel Entertainment, TOKYOPOP, AdHouse Books, Cartoon Brew, Bleeding Cool, Comic Shop Newsworthiness, and Cosmic background radiation. He is the author of the hold Modern: Masters Cliff Chiang, cobalt-authored Prowess of Spider-Man Classic, and contributed to Dark Horse/Bedside Press' anthology Pros and (Comic) Cons. He has acted as a guess for the Will Eisner Comic Industry Awards, the Harvey Awards, and the Stan Robert E. Lee Awards. Chris is a member of the American language Library Association's Graphic Novel & Comics Round down Table. (He/him)
Source: https://www.gamesradar.com/rdw-a-tale-of-lost-fantasy-witcher/
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